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The Sound of Garuda: Mixed By Gareth Emery

We chat to Darude

We chat to Darude

We chat to Sean Tyas

We chat to Sean Tyas

We chat toAndy Moor

We chat to Andy Moor

We chat to Alex Morph

We chat to Alex Morph

We chat to Tritonal

We chat to Tritonal

We chat to Matt Lange

We chat to Matt Lange

JES INTERVIEW

We Chat To JES

Haezer Interview

We Chat To Haezer

Double Adapter Interview

We Chat To Double Adapter

Tania Zygar Interview

We Chat To Tania Zygar

Giuseppe Ottaviani Interview

We Chat To Giuseppe Ottaviani

Fergie (Robert Ferguson) Interview

We Chat To Fergie

Cristina Soto Interview

We chat to Cristina Soto

Bjorn Akesson Interview

We Chat To Bjorn Akesson

Ronski Speed Interview

We Chat To Ronski Speed

Jes Interview



We chat to the beautiful, ultra-talented, phenomenon that is Jes Brieden (JES), about her various
projects, what inspires her and what the future holds for this incredible artist.

Q:
It's one thing reading up on someone on Wikipedia or even their own Biog... It's quite a different matter... Getting the info from the actual person... Tell us a bit about "JES" before tracks like "As the rush comes" and "star children" brought you to our attention...?

A:
I was born and raised in Manhattan. I always loved N.Y.C and never really wanted to live anywhere else but as my career developed I found myself living in Los Angeles and that’s where my dance music career took off. I had always been obsessed with music from an early age and threw myself into any chance to make music I could find. While I was still at school I answered an advert in the village voice for a session singer and on hearing my voice played back in a professional studio I was truly hooked. After that day I just kept developing my voice and music. I worked in the pop-rock field and wrote music with as many different people as possible. While I was working as an engineer in a studio in Los Angeles I met some musicians and producers from the more progressive dance world, which was completely new to me. Being from NYC, I mostly listened to house music in the clubs but this a whole new flavor. I started writing songs with some of them and one of the first songs I wrote was “Starchildren”. It was a bit of a domino effect after that, writing one song after another. I still have my studio in LA, but I try to work and record in both places. It gives me a nice balance. The two cities are very different and I tend to write very different songs in each place and I just need to get back to N.Y.C as often as I can.


Q:
You've worked with some of the world's top DJ's and Producers... From Gabriel n Dresden to BT, and Tiesto... Do you feel you've learned anything from them and might want to have a go at either DJ'ing or Producing yourself?

A:
It’s funny you ask that because I actually mixed my latest album release “Unleash The Beat” (Magik Muzik / Ultra Records - http://itunes.apple.com/us/album/unleash-the-beat/id446244369) and I also make my own podcasts that you can check out on mix cloud (http://www.mixcloud.com/planetjes/), so I have been DJ’ing for a while now in my studio. I have a big hand in the production of my three other studio albums “Disconnect” (http://itunes.apple.com/us/album/disconnect-bonus-track-version/id260803258), “High Glow” (http://itunes.apple.com/us/album/high-glow-bonus-track-version/id359911201) and “Into The Dawn” (http://itunes.apple.com/us/album/into-dawn-the-hits-disconnected/id273122601 ) . I co-produce with my producer Richard Robson, I think it is very important for the artist to have some control over the direction and the sound of the track. I have 3 different studio setups so I can track vocals on the road, at my home and also at my studio. Working with BT was a great experience, he is like a mad scientist in the studio and I had a lot of fun working with Gabriel and Dresden. Tiesto is a fantastic producer to work with and really helps you to give your best for a song. Collaborating is a great way to learn more about production, everyone has a different approach and I have learnt something from every collaboration. I feel very lucky to have had the opportunity to work with so many talented people.


Q:
Anyone you would like to work with in future?

A:
I try not to get too involved in that way of thinking. I’d love to work with many of the big songwriters out there like Ryan Tender, Bruno Mars and there are incredible writers from Rihanna’s camp. I like to stay open to all possibilities. Most importantly, I look for that spark of inspiration when I meet other writers and producers. I also try not to limit myself with one style of music. I have found that the best collaborations come with other artists that I am friends with. There’s a more organic feeling to working this way for me. Many of my collaborators I have met at a show or an event and had an instant connection. When you get along naturally good music will come out of it. There’s so many inspiring and talented people out there and I look forward to meeting and working with as many of them as I can. 



Q:
 You've got quite a trademark "rock chick" look, do you spend a lot of time preparing your look, and how important is "image" to you?

A:
For me fashion and music are very much connected. The music always comes first, but the image has to be something that supports the music and who I am as an artist. I do love fashion and I love getting dressed up. I’m naturally drawn to the tougher, edgier side of style so I feel much more comfortable with the dramatic rock look. It’s very me!


Q:
I saw you live, in Johannesburg a few years back for Tiesto's "Elements of life" Tour... And I was absolutely blown away... Tiesto has obviously helped build your brand and career quite a bit... What is the next huge career defining "moment" for "JES"?

A:
That was an incredible time and I was very blessed to have the support of Tiesto on that tour. It was a huge challenge and very exciting be playing shows of that size so often. I already had a big track out (As The Rush Comes http://itunes.apple.com/us/album/as-the-rush-comes/id341431624) with Motorcycle, but getting the exposure of that tour really helped me to establish my own brand and launch my first solo album “Disconnect”. Developing your career is about a continual everyday push, the big events help a lot but you have to follow up with your fans regularly and never give up. So much of it is up to the artist these days and while every event counts, it really comes down to what you put into it yourself. You can check out my most recent collaboration with Tiesto, “Show Me The Way” Tiesto presents Allure ft. JES here, (http://itunes.apple.com/us/album/show-me-the-way-feat.-jes/id437042701) and we shot a beautiful video which you can check out on you tube, (http://www.youtube.com/watch?v=EK_QZj5meqA). Everyday brings a new challenge and I think it’s constantly changing and growing into something new. I feel I have so much more to do to define myself. The work is just beginning.


Q:
Out of all the tracks you've written or sang on, which means the most to you and why?
A:
That is a tough question, I write or co-write all the songs that I perform so I am very attached to all of them. Every song takes me back to a particular time and place in my life, it’s like a scrapbook of my memories. If I have to pick a few of the recent songs then one would be my single from earlier this year “Awaken” (http://itunes.apple.com/us/album/awaken-remixes-pt.-2/id416243409) It has certainly played an interesting role. Apart from having enjoyed phenomenal radio success it also spurred me to launch my “Awaken Campaign” (http://awakencampaign.com/). The two songs I wrote with BT for his Grammy nominated album “These Hopeful Machines” (http://itunes.apple.com/us/album/these-hopeful-machines/id395309491) have also proved very popular. Both “Every Other Way” (http://itunes.apple.com/us/album/every-other-way/id344788244) and “The Light In Things” (http://itunes.apple.com/us/album/unleash-the-beat/id446244369) were really rewarding to work on and it was a lot of fun to go to BT’s studio and work with him together. “As The Rush Comes” has a special place in my heart as it’s where so many things started, but once I get going I find so many of them are special to me. I also really like “Show me the way” because it was a beautiful piano ballad and I think that still comes across as a tender song even its EDM form. 

Q:
Through the years there have been a couple of vocalists that represented the "voice" of dance music... People like Tiff Lacey, Kirsty Hawkshaw, Jan Johnston and in recent years yourself of course... Who, if anyone would you consider to be someone to look out for in future?

A:
I really like John Martin who sang on the Swedish House Mafia song “Save the World”. He seems to keep a low profile, but I loved his work on that track . He has a raw identifiable voice and I look forward to see what he does next.


Q:What inspires your lyrics... Is there a certain process you go through?

A:
Every song comes differently; there isn’t a standard process for me. I’m always writing ideas and a lot of the time it’s abstract observations that grow into lyrical connections. I like to emote in my home studio over an idea and let the music take me, often the melodies will suggest words and that will trigger my thought process. Inspiration can come anywhere so I keep some type of recorder with me most of the time, often I record my initial ideas for melodies or lyrics into my iphone. Some times I will dream a whole song idea. When I wake up I have to record it quickly so I don’t forget it. Mainly the lyrics come from my own experiences and feelings, I went through a very long breakup that is the basis for many of my songs. I’m over that now so its other people’s lives and my friends situation s that I look at and things I see and hear everyday. I always have my ears open. I guess most of my songs are a bit autobiographical on some level but the goal is always to find that melody and lyric that makes the connection. We all feel the same things at times and I want to find that and bond with the listener.

Q:
What do you like to do when you're not writing or singing? Any hidden talents?

A:
Being on the road is pretty demanding so I like to stay in shape. I love working out, but my favorite sport is probably skiing. I’m a good horse rider and used to ride competitively, I also trained to be a ballet dancer as a teenager. I’m a pretty good photographer, you can check out some of my photos of New York in this short movie (http://www.youtube.com/watch?v=HFMYRkoB0sg). Since I’ve been making video’s I’ve kind of gotten into shooting too, the whole production process is so much fun and I’m quickly becoming a video editor. I can also professionally wire a recording studio, which comes in handy quite often in my line of work.



Q:
What can we expect from Jes in the near and distant future?

A:
Right now I have a single out called “It’s Too Late” (MagikMuzik/Ultra Records http://itunes.apple.com/us/album/its-too-late-remixes/id455678506) which is just starting to climb the charts in the US. The First State Remix is proving particularly popular (http://itunes.apple.com/us/album/its-too-late-single-first/id476632865). I’m also putting the finishing touches to the video for my new collaboration with Ronski Speed “Can’t Stop” (http://itunes.apple.com/gb/album/cant-stop-remixes/id474035288) which will be out world wide before the end of the year.” Can’t Stop” is the first single from my mix album “Unleash The Beat” (Magik Muzik / Ultra Records) and since I mixed that I really got the DJ bug and I’m starting to incorporate that into my shows more. I also have a whole new electronic band that is like nothing you ever saw before and I’m working hard to get that out on the road in the coming year. We’ve done a few amazing shows here in California and I can’t wait for my fans to see it. I have a new collaboration with Robbie Rivera called “Turn It Around” coming out very soon that’s a massive Miami party tune and I’m really excited about that one. I’m starting to shape my next artist album right now and I also have a down tempo very moody project that I’m trying to find some time for early in the New Year.




Most of all I love to hear from my fans. They are the real inspiration for me and everyday I look forward to reading their notes to me. They inspire me to keep rockin.

I hope you will all come and find me at

http://www.planetjes.com/

https://www.facebook.com/jespage

https://www.twitter.com/official_jes

https://www.youtube.com/planetjes




Yesterday's Pupil Interview


We chat to Peach from yesterday's pupil, about his amazing new album, what he's been up to and a love for photography.

Q:
Ok, let’s start with the basics… you’re involved with various bands and acts and known by many names… including P.H, Pierre-Henri and more affectionately as Peach, tell us a bit about “Yesterday’s Pupil” though, where the name comes from and how you started making the music you do.

A:
I started making my own music in 2004 when music production was one of my subjects when I studied music. In 2007 I started playing live as YP and things started happening from there. "Today is yesterday's pupil" is a famous quote by Thomas Fuller. I really like it, I see it like this though: You know they saying "we may be through with the past but the past aint through with us" in that sense it is almost like Yesterday's PUPIL is always watching us. Everything we do and have done will have some kind of effect on our lives in the future....deep yo!

Q:
Apart from being a powerhouse in your own right, many people might not know that you come from quite a famous family , including some of SA’s favorite actors… did this have any influence on your path into the industry? And have you ever considered going into acting yourself?

A:
I studied acting at high-school and my plan was always to act, I still love it! But my love for music took over at some point or stage and that is what I am happy doing. My parents being actors hasn't affected my music career at all, if anything it helped because I grew up around stages and sets with cameras etc...

Q:
 The first time I ever came to know about “Peach Van Pletzen”, was a few years back, watching probably the best piece of theatre I’ve ever seen, at the KKNK… a show called “2-21”, featuring yourself and Francois van Coke in animal suites, since then you’ve produced some amazing music with Francois, both as Oorlog Frankenstein and behind the scenes “Van Coke Kartel’s” genre defying “Skop,Skiet en Donner” Album… how did the meeting with Francois come about ?

A:
I have met Francois once or twice before and we knew one another from the industry. But then when we were put together by a company called "The President" to create music for this play we really started to get to know one another, we had lots of fun writing the music in the day and doing a bit of partying in the night. I wrote this electro piece of music and told him to sing on it and it just worked. He also loved our chemistry and he asked me to produce their next full length album Skop, Skiet en Donner. Then I really got to know those crazy bastards!

Q:
Since your first album “Errors Of Enthusiasm” came out, you’ve slowly but surely become a major player in South Africa’s cross over market, and built up quite a fan base, yet to spite this increase in followers, you’ve recently made a revolutionary move, by making your brand new album available as a totally free download… tell us a bit more about the album, in terms of style, marketing plan and how the decision was made to “give it away”.

A:
Music is free in one way or another. I decided I would prefer the fans to get the music directly from the source in a decent quality and format as opposed to some crappy youtube rip or something. IT also connects you more with the fans. The position I was in I basically had to choose between some money or more fans and I chose the fans. This album is much much better in terms of song writing and production, I feel as though I have- or I am closer to finding my sound.
The album will be released in five sequential parts with a two to three month interval in between. Each part will consist of two brand new original tracks accompanied by an artwork for each track as well as the lyrics and artist notes.

Q:
Styles and trends, in music are constantly changing, what is small today might end up being huge 10 years from now. As is the case with electronic music, which is bigger now, than it’s ever been… do you feel this had a big impact on you as an artist, and do where do you see music in South Africa and globally going in the future?

A:
It probably had some impact, I don't really follow any scene or trend to be honest. I learn from it and I will borrow whatever I want from it but I will never become it or let it become me. As technology grows music will try to keep up with it, who knows where it is going next... new and interesting sounds are being made and created every day by new plug-ins and apps and software/hardware etc... but all of it doesn't mean anything if there isn't a song at the core. Songs are timeless, the latest sounds... not so much.

Q:
. Another band you play a major role in, which seems to be doing extremely well at the moment, is the incredible “Bittereinder”, tell us a bit more about your role in the band, as well as the idea behind the name etc.

A:
Jaco came up with the name and he will have a better explanation. I am involved mainly in the production side of things, Louis and I write most of the music, although Jaco has also been known to bring some sweet musical elements to the table. I produce and mix the stuff and do a bit of vocals.

Q:
You’ve been collaborating with various artists for quite some time now, is there someone you would love to work with in future?

A:
Mmmm.

Q:
Besides the plethora of talents you’re known for, is there anything we don’t know about? Maybe a secret hidden passion or hobby?

A:
Haha, I really love taking photo's... that is my one solid hobby, I take pictures everywhere I go and keep them well organized. There are a few winning moments in the archives. I truly love it!

Q:
What’s playing on your IPOD/MP3 Player or Car radio right now?

A:
New rough work for Bittereinder that Louis and Jaco have been working on. New Trentemoller, New M83, New Elbow, New Sufjan Stevens and Queen!

Q:
 What can we expect from you in the near and distant future?

A:
Much more music :)

Watch the official music video for Too Tired To Disco here:

Download SINGULARITY for FREE on the new YESTERDAY’S PUPIL website here:


Bassive Interview


We chat to Bassive, about the future of Electro, some trade secrets and Dance music in Dubai...

Q:
Quite an interesting name you’ve chosen to release your music under, tell us a bit about how you came up with it?

A:
I kind of just played around with words, Bassive stands for ‘Massive Bass’ and I guess that is how I describe my style, it is how I feel about music and it defines this very deep sounding bass that I use.

Q:
France has pioneered some of EDM’s most noted DJ’s and producers, and has become world famous for that well known French House sound, as a French DJ yourself, how did the move to Dubai come about, and how would you compare the scene in the middle east, to back home?

A:
There has been a lot of cool events lately in Dubai with the participation of international DJ/Producers but the field is still growing and there is plenty of space to be occupied, Electro House is still not very popular only for the exception of a few annual concerts but it is on the right path even though it might take some time.

There is also a 21+ restriction for DJ’s that blocks young talent from showcasing their skills and I think that is a huge mistake.

The scene in France is much better considering that some of the biggest acts in EDM such as Daft Punk and recently Madeon have raised from there, people have more knowledge about music and there is some kind of movement going on with Electro House and recently Dubstep in Parisian clubs, raves and concerts wich is not ready to end at any time.

Q:
You’re productions really seem to have an immense impact on dance floors around the world, do you use hardware or software or a combination of both to get that incredible sound?

A:
I have always used FL Studio, it’s a great software, my set-up is pretty simple, computer, keyboard and some big speakers (my neighbors hate me)

Q:
You’ve remixed some of the greatest names in Electro, is there a track you’ve always wanted to remix, but you feel it might be a bit intimidating because of how huge it is?

A:
I'd love to see how good I can do with Fleguk – Bassive, and it would be funny to have a track named Felguk – Bassive (Bassive Remix)

Q:
Electro has gone through it’s fair share of changes since the early days, with a massive revival a few years back, and now heading towards a harder slightly more underground sound, where do you see electro and dance music in general going in the near and distant future?

A:
Minds are more open to new genres and sub genres, with game changers such as Porter Robinson, Zedd, Skrillex and Wolfgang Gartner, younger creative talents that are open to new styles and possibilities, Electro will always have a new and better sound that will most likely be appreciated, I can only see it going bigger just like Rock and Roll since the introduction of the electric guitar, DJ’s are the new rockstars.

Q:
Tell us a bit more about “Bad Family Recordings”, how you’re involved and what the mission is behind the label?

A:
I originally created Bad Family Recordings to sign some of my good producer friends who are incredibly talented and needed a place where they could publish their work and get noticed on Beatport, also for having more flexibility and control over my work.

It is Dubai’s first and only Electronic music record label focused on publishing ‘Bass Music’ from both local and international artists.

Q:
Each year brings new up & coming DJ’s and producers to the forefront, Who would you consider someone to look out for next year?

A:
I have recently signed this fresh talent from Switzerland who goes by the name of Luckner, watch out for his EP dropping on Bad Family Recordings pretty soon, its bangin!

Q:
What’s playing on your IPOD/MP3 Player/ Car Radio at the moment?

A:

Q:
Having DJ’d in some of the world’s greatest clubbing cities, what is the weirdest or most wonderful experience you’ve had?

A:
Urban Desert Festival when I played at Akon’s after party with his DJ Benny D and later chillin with Akon and Fat Joe Backstage, SWAGG.

Q:
What can we expect from Bassive in the future?

A:
Will perform at the World Top DJ Festival on the 3rd of December then spend some time in Paris, hit Washington DC for some time and then get back to Dubai for working on my next EP, a few interesting collabs and lots of remixes.

checkout Bassive's brand new release, available right now... http://www.beatport.com/release/felguk-ep/832330

Haezer Interview


We chat to HAEZER about being a bit of a punk fan, 
a dangerous stage show and being a keen film student.

Q:
So… your stage name “Haezer” is actually quite simply part of your birth name “Ebenhaezer”… tell us how “Ebenhaezer” became “Haezer"?
A:
I tried out so many names and it all just sounded so cheezy, so decided to just shorten my name. It's looks cool on paper and it's unique.  I startedHAEZER while i was still editing at a post production house and kinda didn't sleep for a year.  Editor by day, dj/producer by night.  I then started getting international shows after the release of WTFIH and the Anarchy! previews.  When the Trashbag boys from Australia asked me over i knew i had to quit my job and do HAEZER full time... That's when ebenhaezer became HAEZER :)

Q:
Some of your fame among a lot of South African fans, has come through your Remix of Oorlog Frankenstein’s “Dans,Dans,Dans” and without people actually knowing it , the incredibly tight production behind Jack Parow’s version of the song. From what I can understand, you were at school with people like Francois Van Coke and Hunter Kennedy, would you say that has helped your career at all?
A:
Ag not really. I mean my music was never associated with them and they were never really into my music till much later when i was already established and have done 2 or 3 european tours.  It was only then that Francois got more into it and even did some Mcing over Anarchy at a party i threw in the City Hall in Cape Town.  Jack Parow did like my stuff from very early on in the game...but i wouldn't say we have the same fan base really.

Q:
What is it about Belville that produces so many great Musicians?
A:
I think it was the whole punk/skate and break shit attitude. I think the bellville peeps were just not afraid to start a band, even though it might sound horrible, and then practice till it's great.  And the music is real.  Writing about stuff the bands really felt strongly about.  Me...I don't know.  I guess it's just that i started making music i like and didn't care whether it's not commercial.  As long as i think it's good.

Q:
Your particular style of Electro Trash seems to get the Rockers Raving, and the Ravers Rocking, what do you think it is about your tracks that gives it such crossover appeal?
A:
When i started my biggest mission was to make basslines that sounds like guitars.  I grew up on rock 'n roll and punk and even though it's not blatently obvious in the music, you can still hear/feel the influence.  People also respond to the dj's energy and i love playing my music out to people and i think people can feel that.

Q:
It’s not every day that you see a DJ spending almost as much time in front of the decks and in the crowd, as behind the decks… you seem to have a very strong connection to your audience… do you ever jump up and down at home, pretending to perform to a crowd in your mind, or does it just happen spontaneously when you get on stage… an energy boost because of the chemistry between you, the crowd and the music?
A:
Yeah, my performance on stage is completely unrehearsed/spontaneous fun.  It's also dangerous, cause if i'm feeling grim the people will definitely pick it up.  I'm a all or nothing kinda guy.

Q:
You studied film at AFDA, do you think the outlet of creativity through film has spilled over into your music, or is it the other way around?
A:
The workflow of editing and making music is very similiar.  Studying editing and working in the industry has taught me a lot of patience production wise and to not release songs too quickly and rather rework and rework and rework x 100 till you're absolutely happy with the track.

Q:
What are the chances of seeing a full length Haezer album in the near future?
A:
It will happen. Just not this year. Working on an album takes time and people forget you when you're not releasing anything.  And also producing an album means less shows, cause you need lots of time in studio and need to focus.  Right now i'm focused on touring and singles.  I want to see and play to the whole world!  At the moment it's mostly Europe,SA and Australia, but i've got a gig in Thailand pending and a show in America next year.

Q:
The Electronic Dance Music Scene in South Africa has always been quite small, and within that scene there are a majority of subgenres that seem to be competing as well, from House & Electro to Trance & Techno, Breaks & Drum & Bass,  yet there are a lot of DJ’s and producers who actually seem to make it on to the biggest stages in the world, where do you see EDM in South Africa going in the future?
A:
I've mentioned this i think like 2 years ago in an interview and i stand by it.  I think more and more producers are going to surface.  At the moment there's alot of very good dj's, but not many producers.  As soon as we get more producers it's easier to market them and sell it as an unique show.  I do think this is starting to happen and that dance music in SA is growing rapidly with an international playing almost every weekend, we are definitely on the map and growing!

Q:
What’s playing on your ipod/mp3player/car radio at the moment?
A:
1. The Waterboys - We will not be lovers 
2. Can - Vitamin C
3. Fool's Rhythm - Two Fingers
4. Battles - Leyendecker
5. Paul Kalkbrenner - Aaron
6. Elbow - Fugitive Motel(RJD2 remix)
7. Tom Waits - The Black Rider
8. Nick Cave and the bad seeds - Stagger Lee
9. Burial - Moth
10. Angelo Badalamenti - Twin Peaks Theme Song



haha, it's that precise cause i had to make  a playlist for someone else.


Q:
What can we expect from Haezer in the near and distant future?
A:
Right now i'm focused on making a killer EP and touring the shit out of the world.  Distant future - big international festivals and full album.



Double Adapter Interview


"We chat to double adapter about broken ribs, a little film making and why you're about to have a new favorite dj act"

Q:
Dan (Apter) & Tim (Apter) = Double Adapter… that’s quite a clever play on words… it always surprises me to see how siblings get the same sort of influence, yet go into different directions when it comes to their personalities, passions and what makes them tick… yet with you guys, it seems that you share quite a few passions… was that just  how the cookie crumbled, or have you guys always been really close?

D: Yeah I guess we have always shared the same interests and have both always had a passion for music and visual elements, ie. film and art. iv always leaned more to the visual side and Tim more towards the audio. We have always been pretty close, our family is pretty small so we never had cousins and relatives around all the time so we had to amuse each other. Tim thought pulling my pants down and pushing me in a bush on occasion was pretty amusing.


T: Oh yes, that happened.



Q:


You guys recently played an incredible set at “grietfest” with the super talented Haezer… and one thing you have in common, other than a similar style of music,  is the fact that you both (all 3 of you) studied film or visual arts in some way, do you think there’s something particular that makes film & Electro Trash work so well together, or do you feel this is purely coincidence?

D: Ha Ha, thats something that iv always noticed myself. While touring europe a lot of the other DJ's we met had an interest in film. Its certainly interesting but most likely coincidence i think.

T: I think its coincidence, but obviously there are big similarities between film and music - they are both about creating certain emotions through your medium, and they seem to attract similar types of minds, so I guess the overlap is inevitable.


Q:
On an International stage, there is no doubt that you guys have been making a huge impact overseas. Yet it seems that South Africa and your home town of Johannesburg, is only now realizing who you guys are… with brands like MK, taking an interest. how long do you think it’ll take for Acts like yourself, and the emerging underground dance scene to spill over on to a more commercial stage… let’s say, something random like H20 or opening for Armin Van Buuren, Tiesto or Paul Van Dyk  when they play SA? And is that something you want? Or is the “underground” part of the appeal?

D: i dont think the Underground dance scene is going to stay underground for too much longer to be honest and i think its something that is spreading really quickly through out the country. we would LOVE to play at H2O its something that we have been talking about for a really long time in fact. We love playing to new crowds that have never heard of us and go fuck! thats awesome! so there is definitely  an appeal to the commercial scene but at the same time we will always love the underground!


T: I've never really bought into the "commercial" or "underground" mindset... to me, its always been better to look at it like "upcoming" and "established" scenes - you get the types of people who enjoy discovering new sounds (the so called underground) and then you get the type of people who are more into hearing stuff when its more established (commercial) - so I think its logical that as our genre of music grows and we become a more established act, we'll eventually start spilling over into the ears of the commercial scene -  we decided long ago to let H2O be our litmus test of whether popular music taste is changing and evolving - it'll be fun to see if it ever pans out! :)


Q:

Where can we see some of the work you guys have put to film? And have you ever  considered writing scores instead of distorted, buzzing bass driven crowd moving monster tracks?

D: well you can catch a music video i shot for a band called The Stella's currently on the MK top 10.

T: and of course, the Double Adapter Adapt or Die documentary which we made in April this year... its on Youtube as 6 short teaser videos, and 3 long ones of the whole doccie. Interesting that you ask about scores... I'm actually writing a symphony now as a project to test myself and see if I'm just a poser or if I can actually write something serious for a change!


Q:

A big part of your stage show is your physical performance or “Stage Antics”. do you guys consciously make a point of going all out, or does it just happen naturally? And have you ever sustained an injury or two because of it?

D: we always go into a show with the attitude of making it fucking awesome and really getting into the performance but after that it just happens naturally and we fuck out to the music that makes us want to fuck out. ha ha, iv cracked 4 ribs from falling off a stage.


T: I've fallen off a lot of stages - I tend to just rock out so hard that I lose my balance. Its fun!


Q:

Are there any DJ’s, Producers, artists or acts that you guys specifically look up to, and would love to share a stage with or colab on a track with in future?

D: Yeah definitely, acts such as Soulwax and Digitalism got  me into this scene and it would be a dream to share a stage with them.


T: I'd kill to be on the same bill as Soulwax or Justice. I really look up to anyone making ANY music - good/bad/whatever: its possible to learn from and draw inspiration from anything, even if its a case of what NOT to do.


Q:

You guys obviously have creative talents coming out your ears, are there any hidden talents that only a select few know about?

D: well im actually a pretty huge nerd and ill kick your ass at pretty much any Xbox game.

  
T: I can handle my tequila pretty well... unless I haven't eaten. Then I'm screwed!


Q:

Where do you see Dance music in general and especially in South Africa going in the future?

D: well hopefully we can only see it move forward and evolve with the times. id like to see electro move more into the public domain and for more people to experience it.


T: I think we're definitely going to see a shift away from DJ's being the be all and end all of electronic music - its been so long since a fresh electronic band has found ground in SA and definitely also the world - So I'm hoping we see a shift towards electronic BANDS making dance music and putting on shows that are special to the people that attend them.


Q:

What’s playing on your Ipod/Mp3 Player/ Car Radio at the moment?

D: Iv been listening to a lot Monarchy and Metronomy at the moment, both really great bands.

  
T: I haven't really been listening to much because I've got my own music in my ears all the time, but if you're looking for something super cool and interesting, go to youtube and search "iamamiwhoami" - amazing amazing fusion or art and music.


Q:

What can we expect from Double Adapter in the near and distant future?
T: The big focus for the next 6 months will be designing refining and rehearsing our live band show, which we'd like to do exclusively from November onwards... There are plans in the works for more international touring, on three continents, but we don't want to give it away until its confirmed.I'll also be putting a lot of time into studio work over the next month or two.

We also really badly want to try and take electro into the towns in Southern Africa that don't get it a lot, but might have fans there - we get a lot of requests from PE, Potch, Bloem, Durban, and even Namibia and Botswana - so if you would like us in your town, please hit up our facebook page (facebook.com/thisisdoubleadapter) or our twitter @double_adapter and most importantly, ask the clubs you like going to to BOOK us!






Tania Zygar Interview


We Chat To the lovely Tania Zygar about Starting her singing career on Fischer Price Toys, Baking Pastries and chances of a full length Artist Album.


Q:
 So give us a brief history of Tania Zygar, some info on who you were
before some of the world’s biggest DJs decided that you were the vocalist
they wanted to collaborate with? How did you choose EDM vs. other genres
of music?

A:
I grew up in Europe for part of my childhood and music was always part of
who I was. I was only singing on my Fisher Price karaoke toy and bugging
my parents while I was banging on the keyboard! As far as getting into
EDM, I was doing a lot of writing and playing acoustic guitar when a
friend randomly approached me about doing an EDM-style track. It was a
great experience being able to explore other genres aside from what I had
been accustomed to. I’m constantly seeking to evolve my sound, and EDM has
given me that opportunity to experiment within my sound.


Q:
Your vocals have found their way into some of the worlds biggest DJs,
playlists, anyone you would love to work with in future?

A:
I’ve been blessed to work with so many great artists at such an early
point in my career, but if I could choose anyone, I’d definitely love to
work with Wolfgang Gartner, Swedish House Mafia, Martin Solveig and Armin
(that’s a given! haha!)

Q:
Every now and then you'll find, a new vocal seems to be the trending
topic among DJs and producers, people like Jan Johnston, Justine Suissa,
Jes, Kirsty Hawkshaw and Tiff Lacey have all had a chance to be the new
girl on the block, and now are established names among the EDM community.
Do you look up to any of them, or is there a specific singer you find
absolutely incredible?

A:
Sarah Howells has a beautiful voice, and Jaren does some amazing writing,
so if I had to pick it would be those two. I also like Fisher's tone of
voice--it's very soothing.

Q:
To my surprise I’ve recently realized that Canada has quite a few famous
names when it comes to EDM, people like Arnej, Lazy Rich and Deadmau5 have
all made a huge impact on the world of dance music, how would you compare
the Canadian scene to places like Europe and the USA?

A:
I think some parts of Canada are still conservative when it comes to
listening to newer EDM styles. Other parts, like Toronto & Vancouver are
bursting with talent. I was in Vancouver with tyDi last year, and I was
amazed at how many fans came out to support him. I’m actually moving out
of Ottawa to Toronto, where there are more opportunities to further
advance my career in music.

Q:
 Is there a country or event that you have performed at that has
specifically made an impact on you since being part of the EDM community,
and is there a place you would really love to perform in future?

A:
Definitely! One of my favorite performances was this past May, where I
opened up and introduced Armin Van Buuren for thousands of people at a
festival right outside of Montreal. It was very moving to see the crowd
singing back the lyrics that I wrote! The support was amazing--I even got
to autograph my first man-boob! haha! As far as future performances, I
love to travel, but ultimately, I’d love to be able to perform during the
annual Winter Music Conference in Miami! I definitely think that would be
an experience to perform in front of that many fans and peers.


Q:
What inspires your lyrics... Is there a certain process you go through?

A:
Some of my best writing usually will come to me very quickly. Intense or
dramatic moments in my life always inspire me to write something that
everyone can relate to. I use my writing as a therapy tool. Once I have
completed a project, I feel like there is closure with the subject at
hand.

Q:
 What do you like to do when you're not writing or singing? Any hidden
talents?

A:
Ask my boyfriend, Simon! ha ha, just kidding. I hope my mom doesn’t read
this and interpret it the wrong way! No, seriously, I enjoy baking
pastries. I love getting back to my French roots and exploring the
culinary arts. There’s nothing more enjoyable (other than music) than
seeing my loved ones enjoy my cooking!


Q:
A huge player in EDM at the moment, is the super talented young
Arty
how did the collaboration with him come about?

A:
Will Holland from Enhanced Recordings approached me about working with
Arty. After I heard the track, I knew I had to jump on it. I am so excited
about it being officially released! I am very proud of the acoustic
version that I produced which is featured on the EP. It is due for release
very soon! I did the acoustic version in one take, and I think it really
shows a different perspective of my vocal capability, which I am very
excited to show everyone.

Q:
What are you listening to right now? Any favourites on your ipod/mp3
player or Car Radio?

A:
Lots of Ellie Goudling, Lights, Imogen Heap, and Metric and ADELE. Those
are my big main influences.

Q:
What can we expect from Tania Zygar in the near and distant future?

A:
I'll have more tracks out next year, and I'm ultimately hoping to one day
have a full on Tania Zygar artist album with different DJ's remixing my
stuff. That'd be amazing! I'm working on putting a team together behind my
music right now, so you'll just have to wait and see where the branding
goes! Thank you for offering me this interview; I want to come to South

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